Skinner Sesquicentennial Conference presented April 24–25 in Evanston, Illinois
THE DIAPASON, along with the Chicago, Fox Valley, and North Shore Chapters of the American Guild of Organists, the Chicago-Midwest Chapter of the Organ Historical Society, and the Music Institute of Chicago, presented a conference in honor of the sesquicentennial of the birth of Ernest M. Skinner, April 24–25, in Evanston, Illinois.
The conference opened with a concert by the choral ensemble Bella Voce in St. Luke’s Episcopal Church, accompanied by Christine Kraemer on 1922 Skinner Organ Company Opus 327.
The following day’s events included recitals by Andrew Schaeffer and David Jonies on 1927 Skinner Organ Company Opus 616 in the First Congregational Church. James Russell Brown provided a demonstration program and lecture on the restoration of 1914 Ernest M. Skinner Company Opus 208 in the Nichols Concert Hall of the Music Institute of Chicago (formerly First Church of Christ, Scientist, of Evanston).
Rounding out the day were lectures by Stephen Schnurr and Joyce Robinson in the lovely chapel of First Congregational Church.
If organbuilders use pipe-organ jargon thoughtfully as they create new instruments (or rebuild old ones), they provide insight for the musicians about how the organ is laid out internally. If the musicians use and understand the terminology well, they play their instruments with a deeper understanding of what’s going on inside.
Perhaps now is the time to reconsider Clarence Dickinson, surely one of the most influential figures in American church music in the first half of the twentieth century. This pioneering musician, composer, arranger, author, educator, historian, and concert organist set the standard for generations of church musicians and organists.