A virtually complete documentation and tonal analysis derived from the data, drawings, and photographs from the restoration of 1976
by Michael McNeil and David Sedlak
Editor’s note: Part 1 of this article was published in the August 2018 issue of The Diapason, pages 16–19. Part 2 was published in the September 2018 issue, pages 20–25. See the October 2018 issue, pages 26–28 for Part 3.
