C. B. Fisk Opus 148, Christ Church Cathedral, Cincinnati, Ohio. Francesco Cera plays three works by Girolamo Frescobaldi: Toccata settima; Toccata cromatica per l'elevatione; Bergamasca.
“Miss no opportunity to practice on the organ; there is no instrument that takes such immediate revenge on the impure and the careless, in composition as well as in the playing, as the organ.”1 This description from Schumann was likely referring to the organ’s ability to execute—one might even say affinity for—complex counterpoint.