C. B. Fisk Opus 148, Christ Church Cathedral, Cincinnati, Ohio. Francesco Cera plays three works by Girolamo Frescobaldi: Toccata settima; Toccata cromatica per l'elevatione; Bergamasca.
The name of Marthe Bracquemond is little known in the musical world, yet she was a pioneer as one of the first female organists to break with established expectations in musical training. Additionally, she was the busiest organ performer on the airwaves of France between 1931 and 1939. She appeared more regularly than any other organist, male or female, on the Transmission sans fil (TSF) broadcasts aired by Radio-Paris P. T. T.
Parsons Pipe Organ Builders, Canandaigua, New York; Saint Benedict Cathedral, Evansville, Indiana
Given the opportunity for a major instrument in a large Catholic cathedral with superb acoustics, most builders might be forgiven for playing to type. These acoustics and this liturgy implies something French in nature, no? We know the great legacy the French have given to music and Catholicism; surely one thing follows another. And yet our Opus 52 for Saint Benedict Cathedral in Evansville, Indiana, had a different genesis and, in the end, a result well apart from the above pattern.