C. B. Fisk Opus 148, Christ Church Cathedral, Cincinnati, Ohio. Francesco Cera plays three works by Girolamo Frescobaldi: Toccata settima; Toccata cromatica per l'elevatione; Bergamasca.
Jean Langlais (1907–1991) was one of the best-known organist-composers of the twentieth century. He rightfully holds a place of prominence in the French school alongside his contemporary and friend, Olivier Messiaen. Langlais, who was blind from the age of two, studied organ first under André Marchal at the Institut National des Jeunes Aveugles (National Institute for Blind Children). Later, in the early 1930s, he studied organ with Marcel Dupré and composition with Paul Dukas at the Paris Conservatory.
Fate, luck, and surprising interactions with others fascinated with the pipe organ were the impetus for the founding of Quimby Pipe Organs, Incorporated, in August 1970. The same scenarios have continued over the years until the company reached its fiftieth birthday this past August 2020.
In the last six weeks, Wendy and I have attended three singular events involving three very different pipe organs. One was small and in poor condition, another was a grand instrument in an iconic church, and the third was so large as to be off the charts. Most instruments have little variations in size—a violin is a violin, a trumpet is a trumpet—but pipe organs span huge ranges of size as well as styles and even purposes. These events provided a fun overview of extremes.