The Diapason’s seventh “20 Under 30” selections came from a large field of nominations. The nominees were evaluated based on information provided in the nominations; we selected only from those who had been nominated. We looked for evidence of such things as career advancement, technical skills, and creativity and innovation; we considered a nominee’s awards and competition prizes, publications and compositions, and significant positions in the mix.
Having tuned and maintained the organ for about ten years, we had a good idea of what was needed to get the organ back into first class condition. There were a number of dead notes, and the organ would not stay in tune. The organ had survived remarkably well, having very little work done to it since 1928 when it was installed as Skinner Organ Company Opus 736.
