Simon Thomas Jacobs_Bach_Komm, Gott, Schopfer, Heiliger Geist

It was an organbuilder’s dream assignment, and a formidable challenge: a monumental instrument in a grand church renowned for elegant music and liturgy—as well as architecture—with the generous acoustics most church musicians only dream of. Because of its high visibility, it was sure to draw high-intensity attention from organists—and others—with widely varied experiences, tastes, and expectations.

Died June 5

Saint Thomas Church Fifth Avenue at One West 53rd Street, New York, New York

“Miss no opportunity to practice on the organ; there is no instrument that takes such immediate revenge on the impure and the careless, in composition as well as in the playing, as the organ.”¹ This description from Schumann was likely referring to the organ’s ability to execute—one might even say affinity for—complex counterpoint.